RobotMinisterofTrueKorea

Wikipedia... The guy might have been better off with 4Chan..

MAS 36 master race!

Family portrait:
 

Su-30SM number 37 (factory number 10MK5 1104) and Su-30SM number 36 (factory number 10MK5 1202(?) ) of the 43rd separate marine Attack Aviation Regiment of the Black Sea Fleet of the Russian Navy, airfield Saki (Crimea). July 2015 © Rustam Bogaudinov.
 
http://www.vz.ru/news/2015/8/21/762487.html
 
Naval Air forces will receive 50+ Su-30SM before 2020.

Tried to overlay Russia over something, this happened.
 

 
Russia stronk!

You'd have the element of surprise, that's for goddamn sure.

For a second, I thought they had turned a Delta IV rocket into a submarine and we're doing specops shit with it. Which would be rad as hell.

Could they give the thing a better name besides "Thothx" which sounds like a choking toddler?

Managed to torp a Colorado that wasn't paying enough attention. That was satisfying.

Not terrible. 

Tied works in mysterious, alcoholic ways 

Mirage F1s are pretty rad in general;
 

PUNY TRUCK IS NO MATCH FOR RAFALE:
 

>all those moving parts >all that irregular airframe, inefficient use of valuable hangar space >all that ordinance  >shields and hyperdrive like a bitch >garbage maneuvering, not fit for the Empire's finest >large cockpit space like it was designed to allow nonhumans to pilot it    Whoever designed this thing was clearly a rebel sympathizer and should be disintegrated.

The San Francisco Maritime Museum has a wealth of technical manuals for the US Navy. Of particular interest (to me at least) are the myriad of gunnery manuals they have hosted.
 
Anyways, Enjoy!
 
http://maritime.org/doc/index.htm

The San Francisco Maritime Museum has a wealth of technical manuals for the US Navy. Of particular interest (to me at least) are the myriad of gunnery manuals they have hosted.
 
Anyways, Enjoy!
 
http://maritime.org/doc/index.htm

The San Francisco Maritime Museum has a wealth of technical manuals for the US Navy. Of particular interest (to me at least) are the myriad of gunnery manuals they have hosted.
 
Anyways, Enjoy!
 
http://maritime.org/doc/index.htm

A-6F Intruder

A-6F Intruder

The graphics look pretty great, shame it's not about glorious socialism.

its like their making Twinkies's in there or something

Minions:
 
A searing indictment of the underground sadomasochistic sex scene in New York, this drama deserves to be watched but is almost impossible to enjoy. 
 
The plot is a loose-spun thing following the lives of three underage professional subs as they are drawn, each in their own way, into the maelstrom of depravity and violence that characterised the pre-2008 sex underground of the city. Each is, in his own way, on the run from their past and hopeful for a better future. As they are to discover, however, there are pitfalls and predators aplenty in the greed-soaked streets. From there the plot unfolds like something out of a nightmare or particularly cruel folk story, a surreal dream which seems designed to strike directly at the views through the characters they are forced to empathise with.
 
Each of the three main characters (Robert, Stephan and Carlos - although you'd have to watch the credits to even spot this detail) have their own stories woven into the film by means of divergent stylistic elements: hypersaturated colour aping early technicolour films, a chiaroscuro style in over-contrasting black-and-white, and hand-drawn animation. These elements, which were used to such dramatic effect in the trailers, do unfortunately bog down the already bloated plot by making the visual narrative incoherent at times. However, when they do all come together (in a scene which I simply refuse to spoil but which every theatre goer will recognise on sight) the effect is astounding. A stirring score by James Horner (his last and left deliberately unfinished) certainly adds to the emotional gut-punch of the climax.
 
Overall, the film is sometimes artless in its references and homages. It is also, as mentioned, strangely paced and often incoherent. But the story and characterisation, along with superb performances by Steve Coogan, Pierre Coffin, Michael Keaton and Sandra Bullock (whose scene-stealing cameo deserves, again, not to be spoiled) lift it from the mire. If you can stick through it to the end, this film will then reward you by breaking your heart.