Collimatrix Posted January 25, 2016 Report Share Posted January 25, 2016 Quote Link to comment Share on other sites More sharing options...
Belesarius Posted February 11, 2016 Report Share Posted February 11, 2016 Ok, this shit is just cool. Sculptures of Sea Creatures on old maps. http://hifructose.com/2015/01/29/bailey-henderson-sculpts-mythological-sea-monsters-from-medieval-maps/ Mogensthegreat and Tied 2 Quote Link to comment Share on other sites More sharing options...
Toxn Posted March 7, 2016 Report Share Posted March 7, 2016 Triggered: http://www.mymodernmet.com/profiles/blogs/los-carpinteros-the-carpenters-aviao Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 12, 2016 Report Share Posted March 12, 2016 All fine examples of Danish art. Quote Link to comment Share on other sites More sharing options...
Tied Posted March 12, 2016 Report Share Posted March 12, 2016 If your not joking. You can frigg off Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 24, 2016 Report Share Posted March 24, 2016 We Dutch know our painting. Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 24, 2016 Report Share Posted March 24, 2016 Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 24, 2016 Report Share Posted March 24, 2016 Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 24, 2016 Report Share Posted March 24, 2016 Quote Link to comment Share on other sites More sharing options...
Donward Posted March 24, 2016 Report Share Posted March 24, 2016 I like Van Gogh's work better before he went batshit, ear-cutting-off insane. Quote Link to comment Share on other sites More sharing options...
Mogensthegreat Posted March 25, 2016 Report Share Posted March 25, 2016 I like Van Gogh's work better before he went batshit, ear-cutting-off insane. Insane artists (or artists who go insane) are always better. Quote Link to comment Share on other sites More sharing options...
Tied Posted March 25, 2016 Report Share Posted March 25, 2016 We Dutch know our painting. your brother owns a tavor and was once described to me as being "ethnic". the only way your dutch is if your a Syrian refugee Bronezhilet and Donward 2 Quote Link to comment Share on other sites More sharing options...
Collimatrix Posted March 26, 2016 Report Share Posted March 26, 2016 No, this is real Dutch art: I saw this painting at an exhibition last week, along with several other selections from the Old Dutch Masters. Screw your post-impressionistic nonsense; these guys are where it's at. They're not called the masters for nothing.If you look closely, several of Vermeer's paintings have depth of focus effects. In a painting. A painting painted in the mid 1600s. Dutch art in the golden age was a wholesale rejection of traditional European concepts of subject matter; that is that religious and historical scenes should predominate. They painted portraits of the rich, middle class, even of the poor at work. They painted women composing letters, trustees of a hospital discussing finances, and herring boats working the shoals. If this sounds utterly prosaic and boring it's because you are living in the world they created. Before them art wasn't considered interesting unless it was the five thousandth portrayal of the martyrdom of Saint Whatever or some siege. Technically they were absolutely a match for any contemporary painters, even the Italians. Stylistically they were better, being far more capable of using subtle cues of conveying intent to the viewer. Take mister Andries de Graeff above. Look at all the hints in his posture and the framing of the picture that this man was powerful and self-assured. The composition is both stylized and naturalistic; the light is falling on his face so we can see his features clearly, but it is also falling on his clothing in a consistent manner that shows the texture of the cloth. This is another cue; he's wearing an extremely well-made and expensive outfit; one that flaunts his wealth and importance even within the monochromatic restraints of Calvinist decency. The point of view is important as well. We're looking up at him from the ground. This painting is also gigantic. Seriously, it's like two meters tall. Tied and LoooSeR 2 Quote Link to comment Share on other sites More sharing options...
Tied Posted March 28, 2016 Report Share Posted March 28, 2016 My posts are better than yours! Quote Link to comment Share on other sites More sharing options...
Tied Posted March 28, 2016 Report Share Posted March 28, 2016 Quote Link to comment Share on other sites More sharing options...
Tied Posted March 28, 2016 Report Share Posted March 28, 2016 LoooSeR 1 Quote Link to comment Share on other sites More sharing options...
Tied Posted March 28, 2016 Report Share Posted March 28, 2016 Quote Link to comment Share on other sites More sharing options...
SuperComrade Posted March 29, 2016 Report Share Posted March 29, 2016 https://www.currentaffairs.org/2016/03/the-declining-taste-of-the-global-super-rich The design philosophy is one of overt aesthetic and utilitarian offense—it is ugly, it is useless, and that is all on purpose, with none of the cheek that could even give it a campy appeal. I cannot stress this enough; it’s just terrible, ugly fucking furniture. Quote Link to comment Share on other sites More sharing options...
T___A Posted April 26, 2016 Report Share Posted April 26, 2016 While not faithful to the standard imagery of Moloch I rather like this depiction: Quote Link to comment Share on other sites More sharing options...
AdmiralTheisman Posted April 27, 2016 Report Share Posted April 27, 2016 (There is also an uncolored version, with sharper clarity) I thought that this work, by Frédéric Sorrieu, and entitled La République universelle, démocratique et sociale, is good illustration of the liberal-romantic-nationalist thought ongoing at the time of the 1848 revolutions. Donward 1 Quote Link to comment Share on other sites More sharing options...
T___A Posted April 29, 2016 Report Share Posted April 29, 2016 AdmiralTheisman 1 Quote Link to comment Share on other sites More sharing options...
Toxn Posted April 29, 2016 Report Share Posted April 29, 2016 https://www.currentaffairs.org/2016/03/the-declining-taste-of-the-global-super-rich I missed this when it was posted, but it fully accords with my theory that money emits some sort of strange radiation which damages the part of the brain governing good taste. Edit: on a more serious note, I remember reading a theory that art markets presently function as a means of transferring wealth between tax havens rather than being linked to any intrinsic value of the work itself. This is based on the idea that a Picasso, which is very common (because he churned the out), is nonetheless going to keep its value. This is odd if you think of artworks as goods, but perfectly sensible if you think of them as a sort of currency. Picasso is well known (which provides a guarantee of minimum value) and there are enough of his works around to use as a medium of exchange. Finally, a painting represents a relatively compact but dense form of wealth that is easy to transfer across borders. Which is all to say that one of the reason rich people like art so much is that it is a good investment for people who are rich enough to dabble in it. Quote Link to comment Share on other sites More sharing options...
Toxn Posted April 29, 2016 Report Share Posted April 29, 2016 More on this concept: http://www.independent.co.uk/arts-entertainment/art/features/the-shady-world-of-art-auctions-how-can-a-picasso-be-truly-worth-140-million-when-the-art-market-is-10242802.html https://www.icij.org/offshore/mega-rich-use-tax-havens-buy-and-sell-masterpieces http://www.hopesandfears.com/hopes/culture/art/214699-guide-to-laundering-money-art The last one is the most damning, I think. Also: https://www.washingtonpost.com/news/wonk/wp/2015/05/12/why-this-picasso-sold-for-180-million-and-what-it-tells-us-about-the-worlds-super-rich/ Finally, I should mention that I know one very successful artist (and a lot of less-successful ones) and she follows the following rules: - Make a lot of works (multiple per day - she actually has a full-time staff on hand who just make canvases) - Make them abstract* - Put the majority of your effort into name brand recognition and marketing (including installation pieces and publicity stunts) - Hire/marry a full-time publicist and run your practice like a business All of the above are exactly what you'd expect to work well if you expect your art to be treated like a tradeable commodity and optimise your practices accordingly. The first rule is what you'd expect if the commodity you were producing was a currency rather than a luxury good. * Her explanation here was that she gets the majority of her sales from businesses or rich buyers who want something that can hang on an office wall and not take up too much attention Quote Link to comment Share on other sites More sharing options...
T___A Posted June 7, 2016 Report Share Posted June 7, 2016 Note how god is depicted as Jesus, which is common in pre-renaissance artwork Donward 1 Quote Link to comment Share on other sites More sharing options...
Donward Posted June 7, 2016 Report Share Posted June 7, 2016 Jesus: "Hey man. You should totally let go of that rope and hit Simon the Shit Shoveler in the head with that bucket!" Guy on Left: "Quiet Jesus. He's right underneath us!" Guy in Middle: "Wait until I get my I-Phone ready. I gotta get this shit on YouTube." Guy on right. "Hahahhaha! We live in a pre-industrial society which doesn't even understand how electricity works. That's just a sandstone block." Quote Link to comment Share on other sites More sharing options...
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